![]() ![]() When the player inspects an object, a function checks which objects in the room have a child property matching the ID of the object the player is looking at. If the player wants to see objects on a desk for example, they will have to examine the desk first. When I designed my room descriptions I decided to not mention objects that are on top of, or inside, other objects I want the player to look at objects in order to find out what they contain. The child property is intended to hold the ID of the object which it is a child of, i.e. I created the “child” property in order to place objects inside or upon other objects. Instead, you just call your designated function/s and let it handle the method of accessing the data you need, without burdening the rest of the program to bother about the exact details involved or which table is used to achieve the result. Using a few central functions gives more flexibility than asking forįrom numerous other functions or places in the code. The local table data points to the global table g_objData and local variable data_id points to g_objData Notice that there is only one reference to the table g_objData at the start the rest of the function uses local pointers. The main part of the function returns the object properties of g_objData by using the local pointers. If any of them are nil then a zero value will be returned. ![]() The function above is called with two arguments first the long ID string, then the string type, here providing the object property key that have already been defined in function add_obj().įirst the function checks to make sure that three variables are not nil id_long, type and data, since variables that hold a nil property will throw an error when they are accessed. Local data = g_objData - 'data' points to table g_objDataĮlseif type = "held" or type = "carried" then Next, I would like to access the object data in the game through at least two functions īelow is an example of a function returning the object property data: function get_obj_property(id_long, type) The last line in the above example would print out “box” in the console window, provided that the table g_objData has been filled using the above function add_obj(), or a similar function. This table could also be shown as such: local id_long = "ID000001" It is visible and have a container property of 10, which could be used to define weight capacity, volume or a certain number of items.Įvery time the add_obj() function finishes, it increments the global variable g_nextObjectID with one so that whenever the function is called, the next object will have a unique ID.Īfter the function add_obj() is called, the global object property table g_objData will be filled like this: g_ = 1 - Object room location It has a property that tells us it can be carried, though the object is not yet held by anyone. G_nextObjectID = 1 - assigns ID 1 to the first objectĪbove, the function add_obj() is called with a few parameters that can be used for creating a simple box object. Object propertiesĪt this point I would like to store object properties in a global table, which we could call g_objData. With the object ID approach, moving objects from a room to the player inventory, or vice versa, is relatively simple and mainly involves moving the object IDs around, combined with changing a few properties. ![]() The double periods “.” concatenates the strings together as a single string. The string is comprised of “ID” + the number of zero’s + the short id number in string form. #num returns the length of the number string, similarly like writing string.len(num).įinally the function returns the ID. String.rep replicates the first argument “0” as many times as needed maxlength – #num. Local zeros = string.rep("0", maxlength - #num)Ībove, tostring(id_short) transforms the value of id_short into a string. function get_ID_format(id_short) - Returns a long ID object 1 = ‘ID000001’īelow is a simple function I wrote that transforms numbers into an ID code format like the above example. While you could compress the object IDs to hexadecimal format or using bits and bytes, I prefer having the IDs clearly readable for code debugging reasons. The benefit of this approach is that you don’t need to move around a lot of data when moving the objects in the game. Third part – Object IDs and object propertiesįor my interactive fiction game I want to access my objects via ID codes. ![]()
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![]() This brings about unique challenges such as importing cue points, beat grids, etc. Whatever the reason is, the time may come where you need to migrate between Serato and RekordBox. Maybe you just want to change software or run both software platforms you can switch between them for different gigs or other uses. Right, so maybe you’ve bought a Pioneer controller and need to move your library. It integrates perfectly with Pioneer devices. RekordBox works with over 20 controllers, CDJs and over 10 mixers. It might slightly lag behind in the scratching area where Serato still reigns supreme but otherwise, RekordBox is becoming ubiquitous on the club circuit. It can also come in at cheaper when you factor in stuff like video DJing. It’s not dissimilar but feels different to use – it’ll feel more natural for users of Pioneer equipment. RekordBox now matches Serato in every area. Pioneer has now released many controllers but prior to this, RekordBox was supplied with controllers from other manufacturers. RekordBox – RekordBox has developed from a CDJ-based program for mix preparation to its own standalone software for DJ controller use. Serato works with over 60 controllers, 15 to 20 mixers, several interfaces and DVS boxes and tons of accessories. They’re not all expensive but it’s costly to max out on everything. These cover everything from extra FX to Serato Flip – a remix program, video DJing, etc. Serato can be used with lots of ‘add on’ packages. Pretty much, anything not manufactured by Pioneer or Native Instruments uses Serato – that’s a lot of controllers! Serato – Serato is the most common DJ program seeing that it comes with many DJ controllers across manufacturers such as Numark, Hercules, Denon and Roland. Moving your library might seem daunting but it’s pretty straightforward with a little assistance from the program Rekord Buddy. If you move from Serato to RekordBox, you’ll be faced with the task of moving your library. RekordBox is on the rise, it’s too soon yet to say whether it’s the dominant program but more people are moving from Serato to RekordBox. These two pieces of software are the most popular, BUT, what if you want to switch from one to the other? Still, it’s entirely possible to use either software on any controller with a bit of custom mapping handy work and thus, these two DJ programs are relatively easy to compare. Serato, they primarily represent for any manufacturers which are not Pioneer or Native Instruments! RekordBox primarily represents for Pioneer. So, for now, it’s safe to say that Serato and RekordBox are battling it out at the top. Traktor is great too but it’s still a little confined to the Native Instruments ecosystem. They’re super-powerful, constantly updated, flexible, affordable and work with the largest amount of devices. ![]() These days, it’s hard to say for sure, but RekordBox and Serato are probably the most popular two. While we often use marketing phrases like ‘rally car for the road’, it’s a solid validation for Toyota and Gazoo Racing to have a group of experienced motoring journalists pick the GR Yaris as their best performance car, among pretty esteemed company and other sports brands,” said Glenn Crompton, vice president of marketing of Toyota SA Motors.Serato DJ and RekordBox are two of the big 3 pieces of DJ software including Traktor. “Winning the TopGear SA performance car of the year title just goes to reinforce the reputation that the GR Yaris has garnered in the global motoring space. Coupled with a slick (and weighted) six-speed manual transmission and lightweight, rally-optimised construction, the GR Yaris is a true driver’s car in the purest sense of the word,” said TopGear. “It’s user-adjustable, GR-Four all-wheel drive system and eager, free-revving 198kw three-cylinder turbocharged engine deliver a performance package reminiscent of the analogue sport sedans and hatches of the ’90s and 2000s. TopGear SA recently tested a selection of supercars, saloons, hot hatches and GT cars at the Phakisa Raceway in the Free State. Serious petrolheads are nuts about performance tests in which different vehicles are pitted against one another. ![]() ![]()
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But when I really thought about it, I had felt like this before, despite always having been surrounded by love. I came out as gay when I was 18 and that moment of supposed self-realisation didn’t seem to have for me the same effect it had on others. ![]() So began the unrelenting comparison of my experience to the false comfort of what ‘should’ be - still, I brushed my discomfort off as I headed to university, excited after years of silence to be open with new people. Although the ability to ease into your identity is a fantastic and privileged experience, still someone, or something, felt missing. ![]() I was meeting incredible new friends and having a great time, but had had most of the flurry of traditional young adult experiences before university – romance seemed the last stubborn bastion of youth. At first, I was sure it was the pandemic, but quite suddenly, one day, the questioning began.Īnd while I didn’t notice and wasn’t enormously bothered at first, the butterflies, sparks and whatever else is supposed to fly simply didn’t. I consider myself a very social person, and am sustained by connection with others. Society fashions romance as the logical counterpart to the satisfying platonic and family relationships which mean that, in spite of my worries, my life has always felt full. I flirt, date, sleep with people and have made some brilliant connections in my ongoing (mis)adventures with romance. But the nagging possibility at my core that maybe this wasn’t for me has been one of the most disconcerting and disorientating experiences of my life (evidence of my enormous luck so far – see notebook of gratitude).Īnd the thing about romantic love is its inestimable cultural clout, a collective obsession stretching back thousands of years which has inspired or featured in most of humanity’s greatest productions. Even the medieval texts I find myself studying seem alienating, their amorous themes fixing me with a pointed stare from across the centuries. “I catch myself and wonder why I am trying to reduce lovely, human experiences to arbitrary and hugely subjective categories”īut me? I once felt a strange affinity with the tragic characters of Wedekind’s ‘Spring Awakening’ – confused and exhausted Moritz, leaving his desk to sit at the window and longing to join the spirits he imagines moving among the rustling leaves of the trees. My pretentious ramblings and the veritable fashion runway that is the Sidgwick Site betray the fact that humanities students are so often creatures of aesthetic. It is a ridiculous thought, but I can find little glamorous or aesthetic about the way I feel. There’s a certain cachet to feeling young and lost, but in my (now infrequent) low moments, it feels more like an emptiness, a lack. ![]() ![]() ![]() "Sally Simpson" came from an ugly experience on the road. "Sensation" was based on a sexual attraction he had to a fellow Baba follower in Australia. That's really what we want to do: create this feeling that when you listen to the music you can actually become aware of the boy, and aware of what he is all about, because we are creating him as we play."Īs Townshend explored his newfound spirituality and toured extensively with the Who, he began to piece together bits of the Tommy story. But what it's really all about is the fact that because the boy is 'D, D & B,' he's seeing things basically as vibrations which we translate as music. The deaf, dumb and blind boy is played by the Who, the musical entity. "It's a story about a kid that's born deaf, dumb and blind and what happens to him throughout his life. "The package I hope is going to be called Deaf, Dumb and Blind Boy, Townshend said. That included Rolling Stone magazine founder Jann Wenner, who spoke with the guitarist at length in the summer of 1968 about the Who’s next project. Townshend has joked that, in the run-up to Tommy, he would talk about the notion of a rock opera to anyone who would listen. Tommy would be dedicated to Baba, who died months before the album’s release. He felt that rock fans would be out to find the same answers he was seeking. As someone who had recently become a follower of the teachings of Indian spiritual leader Meher Baba, Townshend was looking for an outlet to explore what he was learning. Townshend endeavored to address themes of spirituality in pop music. He also wanted to reach new audiences who had not been particularly interested in the Who’s blasts of "Maximum R&B," and felt people would be interested in a longer musical piece. Townshend wanted to do something to fully capitalize on the album as a continuous art form – even more so than Sell Out. The rock opera Tommy followed on May 23, 1969.īy then, full-length studio projects were becoming more important than the single in rock 'n' roll, thanks to parallel successes from bands like the Beatles, and the Beach Boys. Townshend’s ambitions continued to grow as the Who were creating a larger global presence for themselves with the American breakthrough of "I Can See for Miles" and the band’s electrifying performance at the Monterey International Pop Festival. Listen to the Who's 'A Quick One, While He's Away' A year later, the Who released arguably the decade’s best concept album: The Who Sell Out didn’t link songs by subject matter, but by the idea of a pirate radio broadcast complete with goofy fake ads. When extra material was needed for his band’s sophomore LP in 1966, he wrote the six-part, nine-minute "A Quick One, While He’s Away" – the most significant precursor to the album-length story of Tommy. ![]() ![]() Townshend continued to think about musical stories that could expand beyond a quick-hit radio single. The bigger project was never completed – and may not have been really attempted – but it did result in a great slice of power pop for the Who and a No. The main conflict of the story (and the one at the heart of "I’m a Boy") is that one couple gets a boy instead of the girl they ordered, but make do the best they can with the unwelcome child. When the idea of a “rock opera” was just a glimmer in Pete’s eye, he had the idea of a larger musical piece called Quads that was set in a future when parents could select the genders of their children. ![]() ![]() Please consult customer service if you don't know how to choose the fittest size or If in doubt about the above size chart. We've listed the corresponding foot length of the US, EUR, UK, and JAP shoes sizes in the above size chart. For Pokemon Sun on the 3DS, a GameFAQs message board topic titled The Official. If you don't know your foot length, please refer to the regular shoes size you wear to choose the foot length. If your foot is wider or thicker than normal, please choose 1 size larger.Ĥ. Contents 1 In the core series 1.1 Pokémon 1.1.1 Pokémon Sun and Moon 1.1.1.1 Grand trial battle 1.1.1.2 Title Defense battle 1.1.2 Pokémon Ultra Sun and Ultra Moon 1.1.2. She grants the Poni stamp to Trainers who defeat her. Choosing the size according to your Foot Length instead of length of the sole is the most accurate way.ģ. Hapu (Japanese: Hapuu) is the island kahuna of Poni Island. Over 26 cm, we'll make a flat-soled version.Ģ. The maximum foot length of the shoes with a high heel is only 26 cm. See more ideas about sexy pokemon, pokemon, pokemon waifu. If you need it in rush, try to find a replacement one from theįast Deliverycategory( 7 Days' tailoring time).ĮXPRESS DELIVERY 3-5 days ( For urgent needs, advice choose this one) Explore Shawn Hugo's board 'Sexy pokemon', followed by 142 people on Pinterest. Some products are in stock and can be shipped in 24 hours. 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